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SIRIUS, GOLD CORD, ANTHROPEGENIS IN KEI ISLANDS’ CREATION MYTH

Fri, 17 May 2013 08:32:11 -0500

SIRIUS, GOLD CORD, ANTHROPEGENIS IN KEI ISLANDS’ CREATION MYTH

Erle Frayne D. Argonza / Ra

Source: www.oldandsold.com/articles29/mythology-...

A more circumstantial myth is recorded from the Kei Islands in the extreme south-east of the Indonesian area. According to this tale, there were three brothers and two sisters in the upper sky-world. While fishing one day, Parpara, the youngest of the brothers, lost a fish-hook which he had borrowed from Hian, his oldest brother, who, angered by the loss of the hook, demanded that it be found and returned to him. After much fruitless search, the culprit met a fish who asked him what his trouble was, and who, on learning the facts, promised to aid in the search, at length discovering another fish who was very ill because of something stuck in its throat. The object proved to be the long-lost hook, which the friendly fish delivered to Parpara, who thus was able to, restore it to its owner. Parpara, however, determined to have his revenge upon his brother, and so he secretly fastened a bamboo vessel full of palm liquor above Hian's bed in such a way that when the latter rose, he would be almost certain to upset it. The expected happened, and Parpara then demanded of his brother that he return to him the spilled liquor. Hian endeavoured, of course fruitlessly, to gather it up, and in his efforts dug so deeply into the ground that he made an opening clear through the sky-world. Wondering what might lie below, the brothers determined to tie one of their dogs to a long rope and lower him through the aperture; and when they had done this, and the dog had been drawn up again, they found white sand sticking to his feet, whereupon they resolved to go down themselves, although the other inhabitants of the heaven-world refused to accompany them thither. Sliding down the rope, the three brothers and one of the sisters, together with their four dogs, safely reached the world which lay below, and which was thus discovered for the first time. As the second sister was descending, however, one of the brothers chanced to look up, at which his sister was so ashamed that she shook the rope and was hauled up by the other sky-people. In this way the three brothers with their sister were the first occupants of the world and became the ancestors of the human race.

REFLECTION

The Sky-world is signifier for the spiritual dimensions. This narrative reveals the preparations made in the said dimensions to check out on the new planet Terra at the edge of the Milky Way that seemed ready to support life.

3 Brothers and 2 Sisters refer to beings in the spiritual domains, notably creator beings, who could have been ready to check out on new planet. ‘Sliding down the rope’ reveals the ‘rope’ as the gold cord of the higher beings, which they can extend during their probes on Terra (traveling while probing signified by ‘sliding down’).

The Dog is often than not signifier for Sirius. Broadly, it signifies evolved species from higher dimensions, who are well immersed in higher Light which equates to their loyalty or undying devotion to the Supreme Being. Such ‘dogs’ were thus trusted enough to begin probes and aid the creator beings in experimenting on breeding early humans at the beginning of the 4^th Evolutionary Round.

4 Dogs going under signifies 1 ‘dog’ for each of the four (4) ‘root-races’ –the 2 Pangean races, the Lemurian, and Atlantean—as products of the creative works of the early pitris or fathers. Polynesians are remnants of the 3^rd race (Lemurians), while Malays and IndoMongolians were of the 4^th root race (Atlantean).

The liquor mentioned is referent for the domain of the fire element—the 4^th plane. That’s the causal or ‘higher mental’ plane, the higher of the two planes of Devachan or heaven-worlds. Just one notch lower than the 5^th plane, the lowest of three (3) spiritual planes.

[Philippines, 21 June 2011]

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PROF. ERLE FRAYNE ARGONZA WEBSITE: erleargonza.com

ARGONZA COSMIC BLOGS & LINKS:

MASTERS’ SITES:

www.maharishi.org, www.rssb.org, www.fisu.org, www.saibaba.org, trishulabearer.com,

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SANAT KUMARA, 7 DIMENSIONS, EARTH & EARLY RACES IN CELEBES MYTHS

Tue, 14 May 2013 05:47:23 -0500

SANAT KUMARA, 7 DIMENSIONS, EARTH & EARLY RACES IN CELEBES MYTHS

Erle Frayne D. Argonza

Source: www.oldandsold.com/articles29/mythology-...

Some of the tribes in Celebes are also characterized by the absence of any myths referring to the creation of the world or of the gods, though they are unlike the type to which reference has just been made in that they have tales which account for the origin of mankind. The Bugi and the people of Makassar in the south-western part of the island state that in the beginning the son of the sky-deity was sent down to earth on the rainbow that he might organize and prepare the world for mankind. This task accomplished, he took to wife six female deities, three of whom had descended with him from the sky-world, and three of whom were derived from the earth or from the underworld, and thus he became the ancestor of all mankind.

REFLECTION

Sky-deity refers to the Supreme Being, the One Universal Principle, or Almighty Providence, from whose Being emanated all life forms in the cosmos.

The ‘son of the sky-deity’ is no other than the creator deities, who were all fathered by the Supreme Being and achieved perfection in previous Manvantaras yet, referred collectively in the singular ‘son’. The ascended beings also go by that collective term, even as we who are in the lower dimensions must one day fulfill our ‘sonship’.

‘Sent down to earth on a rainbow’ refers to the descent of Light beings across the 7 Dimensions or planes. The rainbow has 7 spectra of colors, each one thus representing a dimension or plane. From the monadic (7^th plane), down to the Buddhic (6^th plane), then down to the nirvanic (5^th plane), then down to the causal (4^th plane), then down to the mental (3^rd plane), then down to the astral (2^nd plane), and finally down to the physical-etheric (1^st plane).

‘He took to wife six female deities’ signifies the involvement of six planetary logoi added to main logos of Terra—Ancient of Days—to comprise 7 male deities, each one of whom had a female Twinflame deity. Ancient of Days arrived on Earth with 6 other logoi, and they came en-route from Venus prior to descent to Earth.

‘Three of whom had descended with him from the sky-world’ signifies the descent to the Etheric plane by Sanat Kumara and three (3) other planetary logoi, as the three (3) others returned to Venus. Lady Venus, by the way, is the Twinflame of Sanat Kumara, and is rightfully our Mother.

[Philippines, 20 June 2011]

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PROF. ERLE FRAYNE ARGONZA WEBSITE: erleargonza.com

ARGONZA COSMIC BLOGS & LINKS:

MASTERS’ SITES:

www.maharishi.org, www.rssb.org, www.fisu.org, www.saibaba.org, trishulabearer.com,

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UNIVERSE’S ORIGIN: NIAS MYTH (POLYNESIAN)

Sat, 11 May 2013 21:49:27 -0500

UNIVERSE’S ORIGIN: NIAS MYTH (POLYNESIAN)

Erle Frayne D. Argonza

Source: www.oldandsold.com/articles29/mythology-...

In the Polynesian area one of the most characteristic and interesting types of cosmogonic myths was that which explained the origin of the universe as due to a sort of evolutionary development from an original chaos or nothingness; and, at least in central Polynesia, this assumed a genealogical form. This evolutionary genealogical type of origin-myths seems, so far as available material goes, to be lacking in Indonesia, except in one very restricted region, the island of Nias, lying off the western coast of Sumatra. According to myths from this island, there was in the beginning only darkness and fog, which condensed and brought forth a being with-out speech or motion, without head, arms, or legs; and in its turn this being gave existence to another, who died, and from whose heart sprang a tree which bore three sets of three buds. From the first two sets six beings were produced, two of whom made from the third set of buds a man and a woman—the ancestors of mankind. The several variants of the myth differ in details, but all agree in tracing the origin of things to a primeval chaos, from which after several generations was developed a tree that in turn gave rise to gods and men. Although lacking the details and development found in Polynesia, these Nias myths seem to show the same fundamental conception.

REFLECTION

The Polynesian cosmogonic myth suggests first of all the notion of a forward movement, not necessarily linear though genealogical in model.

The reality of the void at the beginning of the Manvantara—great cycle of life—is revealed. A formless Supreme Being, the One Universal Principle is outrightly indicated. Not only that, there is also the notion of the pre-human forms, in higher dimension, as being one “without head, arms or legs”—meaning, they were of spiritual and etheric constitution.

Those higher dimension beings, upon their descent to the lower spheres, of high compassion mode (“whose heart sprang a tree”), were the precursors to the etheric form of Pangean races. From the Pangean to the Lemurian, from the asexually birthing to the sexually birthing humans, three ‘root races’ have come to pass as Divine Wisdom or Theos Sophia revealed.

The number 3 is of course the Upper Triune that was embedded in the Polynesian collective mind and genes. A legacy of ancient Mu whose direct remnants were indeed the Polynesians.

[Philippines, 20 June 2011]

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PROF. ERLE FRAYNE ARGONZA WEBSITE: erleargonza.com

ARGONZA COSMIC BLOGS & LINKS:

MASTERS’ SITES:

www.maharishi.org, www.rssb.org, www.fisu.org, www.saibaba.org, trishulabearer.com,

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SKY, WIND, SEA, EARTH: COSMOS UNVEILED IN ASEAN FOLKLORE

Thu, 09 May 2013 21:09:16 -0500

SKY, WIND, SEA, EARTH: COSMOS UNVEILED IN ASEAN FOLKLORE

Erle Frayne D. Argonza

In my succeeding notes I will delve on the matter of cosmogony as contained in ASEAN myths, which is a synthesis of the objective world of cosmos and the subjective worlds of sentient beings. Before I proceed to those note presentations, let me articulate briefly the archetypal images in the cosmogony.

Essentially, three (3) archetypal images are observed across the diverse ethnicities and cultures: sky, sea, earth. The complexity of the cosmos and subjective worlds was attempted to be encapsulated in these archetypal images. Betwixt sky, sea, earth is the intermediary archetype of wind, the flowing or convection of which sort of meshes up the former 3. So that’s a 3 + 1 sort of formula all in all.

Do note that the ancient peoples of the region went through a long dormancy of high knowledge and high culture in the aftermath of the sinking of Poseidonis which triggered global submarine explosions that, in turn, ended the last Ice Age. The melting waters from glaciers, poles, and related glacial formations caused a Deluge and obliterated knowledge and epistemes (knowledge-building modes) of the ancients.

The knowledge, truths and wisdom were to survive through oral modalities of conservation and heritage, out of which evolved the folklore: myths, legends, puzzles, idioms, related forms. Divine wisdom flowed openly to the ancient peoples, but after the Deluge just the few Initiated Ones, notably the shamanic-priestly caste, obtained access to high wisdom.

Out of such preserved embeds of wisdom came the archetypes of sky, sea, earth. The embedded codes are surely tough nuts to crack, but let us try to decode those tough stuff just the same.

Divine wisdom reveals that both the objective and subjective domains of reality were emanations from the One Universal Principle or Supreme Deity, done upon the Out-breath phase of the Manvantara or great cycle of life. From out of that process evolved the 7^th, 6^th and 5^th planes, which constitute the spiritual planes. Such ontological domains would roughly be the equivalent of the ‘sky’ archetype in ASEAN cosmogony.

From the spiritual dimensions the cosmic element of ether was to descend downwards, to aid in the formation of all the other elements. The possibility for emanating objective, material domains was then increased, thus creating the 4^th, 3^rd and 2^nd planes. Altogether, the 4^th and 3^rd planes are the equivalent of the ‘wind’ archetype, while the 2^nd plane corresponds to the ‘sea’ archetype.

The final, most dense form of domain, the physical or 1^st plane, was the last. The ‘earth’ archetype corresponds to this domain. In the last instance, humans, plants, animals were created in this domain, which is what the ancient Malayans-IndoMongolians-Polynesians can make sense of the creation narrative. The ‘earth’ domain was an extrapolation from their solid existential context, so we will understand how they comprehend cosmogony during their own times as struggling post-Glacial peoples.

As always, the creator deities, led by the Supreme Deity, come from the ‘sky’. That is the closest that the ancients came to the real, the truth, the knowledge. For indeed Deities were of the 7^th plane which is the dimension of deities and/or avatars. Such deities & avatars can always descend down the 5^th plane, which is the dimension of the souls.

With this backgrounder, maybe we are ready to move on to the review of diverse cosmogonic/creation myths.

[Philippines, 17 June 2011]

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PROF. ERLE FRAYNE ARGONZA WEBSITE: erleargonza.com

ARGONZA COSMIC BLOGS & LINKS:

MASTERS’ SITES:

www.maharishi.org, www.rssb.org, www.fisu.org, www.saibaba.org, trishulabearer.com,