That is exactly what we see; therefore, until this changes, materialism has been vindicated thus far as the ontology which most accurately describes our universe.
As long as you are willing to stipulate that materialism does very poorly in describing a probably insignificant blip in the universe called human cognition. At this point all materialism can say about cognition is that somehow neurochemicals and electrical impulses in neurons create or possibly detect cognition. I readily admit my cognitive bias that cognition is created in the mind/brain, but materialism must by definition be agnostic.
In particular I would like the materialists to explain how a top level string quartet manages the rubato, retards, fermatas, and other musical effects to produce a performance that can make a listener cry, or in one case of a Quartet for the End of Time sob uncontrollably. Or how a listener can control the attacks of a professional Rock band. All of which I have personally observed.
With a dramatic bow of pianist Nobuyuki Tsujii’s head, rich sounds of the piano, violins, cello and viola broke the concert hall silence as he and a string quartet played Schumann’s Piano Quintet in E-flat major, Op. 44.
The standing ovation lasted nearly five minutes, so long that the 20-year-old from Japan returned to the stage twice to bow, grinning from ear to ear.
The audience may have loved Friday’s performance, but not everyone may have known its significance. Tsujii—who was born blind—had to figure out how to cue the other musicians. That was especially important with the Schumann piece, because all instruments must start playing simultaneously in the first movement.
Yeah, sure. The quartet all mentally counted the 3472 microseconds from when his blind eyes crossed the horizontal and they all came in on the 3473rd. There was something else going on here. The leader, in this case Tsujii caused the syncing of the brain waves of the quintet so they could all attack at the same instant. A trained human ear can hear at least millisecond differences in the attack of stringed instruments. With a good ensemble it never does.
Practice and skill are sufficient for an explanation. It isn't as if the musicians have no idea what they are supposed to be doing from one moment to the next.
As far as materialism explaining cognition, that isn't what materialism does, since it is merely an ontology which claims that everything in the universe is composed of events, entities, processes, and forces composed of elements which are addressed and explained by physics. More detailed claims about biology or cognition are for specialists in those fields to explain. The materialist will only say that any successful models they create will have elements which are composed of the sort of stuff or activities addressed by physics.
The global neuronal workspace model is currently the consensus model among cognitive neuroscientists for explaining cognition and consciousness. Most all work in various branches of the field assume the model implicitly or explicitly.
The following is a summary of the model by a paper written by Dehaene and Naccache, with friendly amendments and elaboration provided by Dennett, the points he address itemized in bold in the text of the abstract:
“At any given time, many modular (1) cerebral networks are active in parallel and process information in an unconscious manner. An information (2) becomes conscious, however, if the neural population that represents it is mobilized by top-down (3) attentional amplification into a brain-scale state of coherent activity that involves many neurons distributed throughout the brain. The long distance connectivity of these "workplace neurons" can, when they are active for a minimal duration (4), make the information available to a variety of processes including perceptual categorization, long-term memorization, evaluation, and intentional action. We postulate that this global availability of information through the workplace is (5) what we subjectively experience as a conscious state.”
Dennett’s remarks:
(1) Modularity comes in degrees and kinds; what is being stressed here is only that these are specialist networks with limited powers of information processing.
(2) There is no standard term for an event in the brain that carries information or content on some topic (e.g., information about color at a retinal location, information about a phoneme heard, information about the familiarity or novelty of other information currently being carried, etc.). Whenever some specialist network or smaller structure makes a discrimination, fixes some element of content, "an information" in their sense comes into existence. "Signal," "content-fixation," (Dennett, 1991), "micro-taking," (Dennett and Kinsbourne, 1992) "wordless narrative" (Damasio 1999), and "representation" (Jack and Shallice) are among the near-synonyms in use.
(3) We should be careful not to take the term "top-down" too literally. Since there is no single organizational summit to the brain, it means only that such attentional amplification is not just modulated "bottom-up" by features internal to the processing stream in which it rides, but also by sideways influences, from competitive, cooperative, collateral activities whose emergent net result is what we may lump together and call top-down influence. In an arena of opponent processes (as in a democracy) the "top" is distributed, not localized. Nevertheless, among the various competitive processes, there are important bifurcations or thresholds that can lead to strikingly different sequels, and it is these differences that best account for our pretheoretical intuitions about the difference between conscious and unconscious events in the mind. If we are careful, we can use "top-down" as an innocent allusion, exploiting a vivid fossil trace of a discarded Cartesian theory to mark the real differences that that theory misdescribed.
(4) How long must this minimal duration be? Long enough to make the information available to a variety of processes-that's all. One should resist the temptation to imagine some other effect that needs to build up over time, because . . .
(5) The proposed consensual thesis is not that this global availability causes some further effect or a different sort altogether-igniting the glow of conscious qualia, gaining entrance to the Cartesian Theater, or something like that-but that it is, all by itself, a conscious state. This is the hardest part of the thesis to understand and embrace. In fact, some who favor the rest of the consensus balk at this point and want to suppose that global availability must somehow kindle some special effect over and above the merely computational or functional competences such global availability ensures. Those who harbor this hunch are surrendering just when victory is at hand, I will argue, for these "merely functional" competences are the very competences that consciousness was supposed to enable.
The “global availability” of information in the workspace model can be understood as a sort of competition for cerebral “clout” or “fame” as networks of neurons representing the circulating “drafts” have increasing or decreasing mobilization of resources in the brain.
When processes compete for ongoing control of the body, the one with the greatest clout dominates the scene until a process with even greater clout displaces it. In some oligarchies, perhaps, the only way to have clout is to be known by the King, dispenser of all powers and privileges. Our brains are more democratic, indeed somewhat anarchic. In the brain there is no King, no Official Viewer of the State Television Program, no Cartesian Theater, but there are still plenty of quite sharp differences in political clout exercised by contents over time. In Dehaene and Naccache's terms, this political difference is achieved by "reverberation" in a "sustained amplification loop", while the losing competitors soon fade into oblivion, unable to recruit enough specialist attention to achieve self-sustaining reverberation.”
Practice and skill are sufficient for an explanation. It isn't as if the musicians have no idea what they are supposed to be doing from one moment to the next.
Sure. They are supposed to get the bow on the string moving at just the right speed with just the right pressure at exactly the same time as several other people are doing the same extremely difficult activity. Practice and skill helps, but Tsujii and the quartet had a couple of hours to get it all together, exactly at the same instant. Not about the same time. It is the exactly where materialism fails. Brain waves even of strangers are measurably in sync. What does it?
Sure. They are supposed to get the bow on the string moving at just the right speed with just the right pressure at exactly the same time as several other people are doing the same extremely difficult activity. Practice and skill helps, but Tsujii and the quartet had a couple of hours to get it all together, exactly at the same instant. Not about the same time. It is the exactly where materialism fails. Brain waves even of strangers are measurably in sync. What does it?
Do you have a citation from a mainstream, scientific, peer-reviewed source which expresses any serious suggestion that something psychic is going on? If not, I still rest my case on practice and skill. Breathless science journalism has rep for getting science horribly wrong and engaging in unjustified hyperbole.
Do you have a citation from a mainstream, scientific, peer-reviewed source which expresses any serious suggestion that something psychic is going on? If not, I still rest my case on practice and skill. Breathless science journalism has rep for getting science horribly wrong and engaging in unjustified hyperbole.
The article I tracked down is from BMC Neuroscience I don't know if that is breathless science journalism or not. I am not familiar with the journal. I don't know what constitutes psychic by your definition, but the SciAm report states that syncing with the metronome, at the initial attack, and in difficult rhythmic passages the measured brain waves of two unacquainted guitarists in 8 trials were synced.
As noted in my previous post this phenomenon of "knowing when to attack" and following unpredictable tempo modifications is second nature to ensemble musicians. It is not unusual for ensemble musicians especially in rehearsal to be concentrating on the score, and yet still follow the subtle tempo changes that constitute the music. I don't know whether it would be called psychic by your definition or not, but I have experienced and seen the synchronization and its failures.
As another example I have seen a pairs figure skater "stumble" in a blind maneuver but be perfectly in sync with herm partner at the rejoin move which was also blind. I would submit that the skeptics have the burden of proof that the rejoin was based on anything but brain wave sync of unexplained communication channel. Not incidentally, they were out of sync with the music which was one of the reasons I noticed it.
I personally have "researched" the reaction time bill drop bar bet. That is if you catch the bill when I drop it it is yours. Catcher's thumb and finger over the portrait. A false grab means the catcher owes the dropper the bill. Reaction time says the money is in the bank. I was demonstrating this bet with a "fresh squeeze" who eventually became my wife. She caught the bill every time. Fingers right on the portrait usually. We tried this with a wall between us bill in a doorway and the only way I could beat her was randomizing my drop. If I so much as thought about dropping it I lost. This was witnessed by a fairly large group of peers, who were able to observe a randomized trial by a finger signal out of sight of all but the control observer. OT have you ever tried to randomize a physical action?
In other words, you do not have a peer reviewed scientific source expressing the slightest notion that this result is remarkable enough that a paradigm shift in the mind sciences is required to explain it. Case closed.
In other words, you do not have a peer reviewed scientific source expressing the slightest notion that this result is remarkable enough that a paradigm shift in the mind sciences is required to explain it. Case closed.
Case closed? Just a little over reaction.
This is interesting data, from most reputable institutions. As they conclude, further research and analysis is warranted.
Pardigm shifts occur under the weight of a multitude of data points.
In other words, you do not have a peer reviewed scientific source expressing the slightest notion that this result is remarkable enough that a paradigm shift in the mind sciences is required to explain it. Case closed.
I never said I did. Paradigm shifts are never documented as such in peer reviewed scientific sources. The skeptics can close the case. And babble on about their faith that aural, visual, pheromones, tactile, and other known sensory data can explain mirror neurons, musical synchrony, religious perceptions of God, and mental influence on the minds of others. Just don't buy a car from me.
mirror neurons, musical synchrony, religious perceptions of God, and mental influence on the minds of others
What's to explain about mirror neurons, religious perceptions of supernatural beings or mental influence on others? At least in the sense that you have a better explanation for us? (I omit musical synchrony from the list only out of politeness.)